Read what the
New York Times
says about
Rhythm Is The Cure |
 
Tarantata
The Dance of the Ancient Spider
CD-Concert
The mystical-erotic trance rituals of southern Italy ...
haunting prayers to the Black Madonna and the Goddess of
the Mediterranean ... the breathtaking love songs of its
storied islands - from the dawn of Italy's magical-spiritual
song tradition comes Alessandra Belloni's new release, Tarantata:
Dance of the Ancient Spider. With her soaring mezzo-soprano
and mesmerizing tambourine rhythms, Alessandra casts a spellbinding
web of sensuality spun from the tarantella - the ecstatic
rites used to cure young women of a mysterious affliction
known as "the bite of the ancient spider."
From the New York Times to Rhythm magazine, Alessandra
Belloni's performances have been praised for their "nonstop
theatrical and musical energy " and masterful improvisation.
Now, with a stunning cast of musicians, Alessandra brings
together the passion of Italy's early mystical roots with
distinctive influences from Brazil, North Africa, and Latin
America - igniting the healing power of magical curative
folk music for a new generation of listeners. With Glen
Velez on frame drums; Steve Gorn on bansuri flute; John
La Barbera on chitarra battente, mandoloncello, cuatro,
oud, classical guitar, and viola caipira; Charlie Giordano
on accordion; and Joe Deninzon on violins.
This fiery "percussive journey" through the South of Italy
explores magic rituals, tarantellas used as music therapy
and healing trance dance to cure the mythical bite of the
tarantula, women processional chants and drumming in honor
of the Black Madonna, lullabies, women love laments and
work chants specifically arranged for voice and percussion.
One of the concert's highlights is the trance rhythm and
dance of purification, known as Pizzica Tarantata, which
originated the tarantella. This musical exorcism was actually
the only cure for a mental disorder known as tarantismo,
a form of hysteria which afflicted mainly women due to depression,
frustrations, anguish caused by abuse and exploitation by
the land owners, making them feel stuck in the spider web
of society.
The origins of the tarantella as music and dance therapy
are not well known, and there is a lot of interest in this
subject. She has been touring all over the world with this
unique concert (USA, Europe, South America), always receiving
a great response from the audience and the press. She is
the only woman in America (and in Italy) who uses this powerful
tambourine style combined with the singing and dancing,
and is very proud to be able to bring this ancient tradition
back to life.
The ensemble can include 4 to 6 women from New York, from
various international backgrounds, including Alessandra,
Alexandra Montano, and four dancers. The women will be dressed
in white and red, to relay the healing aspect of strong
female tradition to the audience. The concert is dedicated
to all women who have known the anguish and desperation
of feeling trapped in a mythical spider web.
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